When war time passion for fashion was hit by the ration book

Today marks the 75th anniversary of clothing rationing being introduced in Britain. A new exhibition at the Imperial War Museum North looks at what this meant for the fashion industry and textile trade in Lancashire. The exhibition's Dr Alison Slater, reveals how these unexpected clothing regulations affected working class families in the North West.

By The Newsroom
Wednesday, 1st June 2016, 1:49 pm
Updated Wednesday, 1st June 2016, 2:53 pm
A member of Air Raid Precautions staff applies her lipstick between emergency calls.
A member of Air Raid Precautions staff applies her lipstick between emergency calls.

Much of what is written about wartime dress focuses on how fashionable styles were influenced by the unprecedented way in which the government dictated how many clothes were permitted and what style those clothes should be.

Under the new restrictions, the purchase of clothing required everyone over the age of four to provide coupons.

At first, 66 coupons a year were issued, this soon dropped to 48, and by 1945, 36 coupons a year were given to each adult.

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Handbag with a special compartments for a gas mask at the side.

Clothes rationing had a more of an effect on the wardrobes of the middle classes, as opposed to their working class counterparts.

When researching, I interviewed a lady who was nine year olds in 1941 and living in Oldham. She described the introduction of clothing rationing as ‘a joke’.

She said: “When we knew clothes were being rationed and they told us what the allowance was, it was quite amazing cos we thought: ‘Oh well, fancy that, is that supposed to be a ration?’”

From our current perspective of easy access to ready-made clothing for a variety of budgets, it is hard for those of us without first hand experience to understand how limited the working-class wartime wardrobe was.

Hilda Mackenzie works as a ball warper at a Lancashire cotton mill,

An average woman in this social class in the north west might have one dress, one skirt, one blouse, one pair of shoes, one coat and two sets of underwear (one to wear and one to wash!).

Garments were looked after to ensure they lasted as long as possible: hanging them up after wearing, brushing to remove visible dirt and laundering (by hand) when needed.

As well as having coupons for clothes, families also needed money to purchase items. For those with limited incomes, managing the household – including clothing – was a constant struggle.

Purchases were prioritised according to what was needed, how long it would last and what was available; whether or not you liked something often came last, much to the dismay of those interested in a fashionable appearance!

Cotton worker Mona, aged 15, works at a loom at a Lancashire mill.

There were ways around the restrictions even for those with less money. If you worked in a mill or factory where cloth or garments where made, there might occasionally be off-cuts available.

There was a black market for material, although acquiring fabric in this way went against ideas of working class ‘respectability’.

Trousers are often thought of as being fashionable during this period, but research undertaken for the Advertising Service Guild in summer 1941, looking at London, Gloucester and Bolton, suggested that wearing trousers outside of London was considered ‘peculiar’ unless trousers were part of a work uniform.

While it was not a common practice and was often frowned upon in traditional working class communities, some younger women wanted to wear trousers which they had seen in films and magazines.

Handbag with a special compartments for a gas mask at the side.

One lady I interviewed, who came from Oldham, said: “Women didn’t wear trousers in those days but film stars did sometimes and I had this passion to wear trousers.

“During the air raids, we used to go to a communal shelter in the field behind our house.

“The shelters were very cold, so my mother bought us outfits to wear for the shelters and my sister had what she called a Siren Suite the sort of thing that Winston Churchill wore, it was a little zip-up suit. I was bought some navy blue trousers that I could wear to go into the shelter.

“I never wore them apart from going into the shelter but I would have liked to have done.”

The date of the introduction of clothing rationing – Whit Sunday – also gave an advantage to many in the North West. A practice of getting new clothes for Whitsun had begun in the 19th century and meant that many had already got their annual purchase of new ‘best’ clothes for the year prior to rationing being introduced.

Best clothing was often prioritised as it presented the all-important respectable appearance in public; after a period of time, these best clothes would then go down to everyday wear.

Hilda Mackenzie works as a ball warper at a Lancashire cotton mill,

Parents had to sacrifice their clothing choices for those of their growing children.

Articles in Housewife magazine during the war said the appearance of children reflected their mother’s taste and their father’s salary.

Many of the decisions around public appearance were made against the backdrop of worrying about how others would interpret one’s appearance in public.

Perhaps this explains why coats were an important garment in the working-class woman’s wardrobe.

For underneath a coat a multitude of clothing sins, from insufficient clothing to heavily repaired items, could be hidden.

In June 1942, the Government Make Do and Mend campaign was launched, encouraging people to sacrifice the purchase of new clothing to allow the labour and raw materials to be used in the war effort.

Working class families had established practices that helped ensure their clothing lasted as long as possible.

For working class families, the mentality of mending and making do was continued from the pre-war, wartime and post-war era and through rationing enabled them to cope at a time when their wealthier counterparts experienced significant changes in their clothing practices.

For many, the ethos of mending and making do lasted long after the war.

In our age of fast fashion and the ethical issues that come with this, we could learn a few things from the wartime generation’s clothing practices.

Dr Alison Slater, Lecturer in Design History at Manchester Metropolitan University’s School of Art,

Tickets are now available at iwm.org.uk for Fashion on the Ration: 1940s Street Style at the Imperial War Museum North, Trafford Wharf Rd, Stretford, Manchester M17 1TZ.

Admission is adults £6, concessions £4.50, children (15 and under) £3, groups of 10+ adults £5.40, groups of 10+ concessions £4.

Cotton worker Mona, aged 15, works at a loom at a Lancashire mill.